The long one is a pump version I use with one of my feet. This is for 35mm film, and as the size of the image is quite the double for the 6×7 format, some say that you could divide by two the max speed usable. Some other type may exist, and I don’t have all the Mamiya documentation. Actual negative size of 56 x 69.5mm. The lens is also similar to 50mm f/1.4 lenses in terms of relative fastness within the system and depth of field. As you rack the bellows out to focus, the diagram shows you the amount of exposure compensation you will need to apply to your meter reading based on the distance to your subject. 3. The black cable goes on the lens and it is used to lift the mirror. The little switch in the middle is the Eyepiece Blind Lever, and it can be helpful in many cases, macro, portraits: to avoid light to come from the viewfinder and fog your film. As long as there are enough feeling and pleasure in taking photographs as well as looking at them. They may stop smiling or, on the contrary, smile at you waiting for you to take that picture. I shot Film for at least 30+ years, and then the Digital Craze consumed me. I have blogged my thoughts on the Hasselblad vs. Mamiya RZ67 comparison before. Shooting with a film camera will not make you a better photographer, but it will make you photograph differently, in a new way. They are still made today. Mamiya has made other models of viewfinders, less technical and more straightforward, I do not know them much, so I prefer not to talk too much about them because many were made in the early days of RZ version I. And you can also use older ones from the RB (with a little accessory). It also includes a light meter with a semi-automatic exposure system (AE), which allows you to shoot semi-automatically. (With the 37mm it’s only 6mm!). You maybe know this guide used for 35mm photography: your lowest handheld speed should be a “number” higher than the focal length. The latest Pro IID camera has an electronic coupling which allows simple use of modern digital backs. With the newer camera, however, I’d be worried that both the floor and RZ67 itself would fall apart on impact. The breadth of options allows the RZ67 system to be truly configurable to the photographer’s needs. Over the last two years I have done Mamiya RZ67 fashion photography, Mamiya RZ67 wedding photography and Mamiya RZ67 Polaroid photos. The RB67 was introduced in 1970, and soon became a very popular camera for both amateur and professional … You just grab it and use it as a tool, as an extension of your vision. This camera is still sold new. I found that to be an interesting graphical touch to my “test” images – a sort of natural, mood-setting texture, and I’m sad to say I’ve now run out of Svema rolls. Maybe not as good as the latest Hasselblad lenses, or some known German lenses, but incredibly fantastic anyway. It’s not very easy to operate and a little bit slow if you’re not used to it, so it’s maybe not a camera for everybody. Using prisms or other viewfinders made for the RB camera. It is also a very interesting camera to shoot people with. Note: Obviously, while the mirror is lifted up, you can’t see anything in the viewfinder. A while ago there was a big debate on DOF rings on Mamiya RB/RZ lenses and their accuracy. What a thoroughly in depth article and I’m very much looking forward to reading the others that will follow. I read it from beginning to the end – though i only shoot Dslrs. Even with all that in mind I’ve met plenty of people who disagree. I must admit I much more prefer the 6×7 aspect ratio in print. Because of these reasons, I’ve found the RZ67 better for me but I dare to admit that it would be ideal to have them both . The winders can make single or continuous exposures at an average speed of 1.5 FPS. I enjoy that I am UNable to instantly see the pictures that I took. This problem seemed to push the very goal of having a camera and a lens completely out of our minds. Appareil 6x7 à télémètre et objectifs interchangeables & Adaptateur panoramique 35mm. Technology and Creativity meet High Performance Superior Image Quality DSLR-like Handling Pushing the limits. If you fall into the light gray zone, you have to add +0.5 stops. In his days, film was in constant pursuit of quality. Explore experimental development techniques, pushing and pulling film, cross processing, red scale photography and much, much more here. And many people I meet when I shoot with my RZ tell me: “Oh! . This blue rotating ring is purely informative, it is only a calculator, it really does nothing to the lens. It might as well be a book or a lump of bread. The view with this accessory reduces a lot the aiming in the viewfinder, but once the focus is completed, it can be raised, and let you finish the composition of your image. It’s a Hasselblad!” Err, no, it is not one… But if you really want to compare and if you think there is a similarity, here is what these two cameras look like next to each other: When I say it’s a cube, it’s because you can disassemble (and change) quite all parts and that makes this camera an incredibly versatile system. This external battery case purpose is to maintain battery performance when you shoot in cold conditions. ). 4. You may use the top shutter speed without batteries. Ideal for general purpose photography. Mamiya also said that it must be modified before used with the RZ Pro II. So I tried to find a better one, and the problem has begun: some focusing screens are easy to find, some others are incredibly rare and very requested. I’ve been a photographer for 40 years. It also magnifies the view by x2,4, that is very practical for precise focusing, and have a round eyecup that helps in a lot of situations. They may become very self-conscious or even start to dislike you without realizing their feelings are clearly visible. The equipment to develop is quite easy to find and even always manufactured and available (Paterson, Jobo …), and the enlargers are also quite easy to find used. You can support this goal by contributing your thoughts, work, experiences and ideas to inspire the hundreds of thousands of people who read these pages each month. They are aware of being photographed and behave accordingly. With digital, you can just shoot, adjust, and shoot again. The camera may be cocked independent of the position of the mirror-up socket (red circle visible or not), look at instructions manual page 29 third column No 2: “Step 2 may either follow or precede step 1”. It’s slow, very big and very heavy, it’s missing most of today’s standard photographic features, such as AF and AE. And I do mean everything. So I love this AE prism finder, although it adds weight (+940g), it allows me to shoot using my hands just about anywhere, especially outdoors. Anyway, it’s also a good reminder, even if you shoot in manual. They are small and do not take a lot of space in your bag. Great helpfull information! The short one has a lock to block the release button during the desired exposure. Press the shutter release button (mirror rises) Everyone tries to apply their own logic, but there are always going to be more unknowns, more variables in film. A most helpful and thorough discussion on the RZ system. The camera I have is a predecessor to the RZ67 Pro II and RZ67 Pro IID cameras. It does the same job as if you pressed the shutter button with your finger. You can fit four FF sensors into that huge frame with ease! As you need to look from above, it could be problematic if you install the camera on a tall tripod — you’ll then need a stool to be above this viewfinder to make focus and compose your image (Personal experience…). In a bag, for example, if the release shutter button is a little depressed by something, that can quickly discharge the battery. And oh boy it does. One to one interviews with the film photography industry and service providers. Very well written article and I enjoyed reading it tremendously. Focus by looking through the viewfinder, using the big knobs on each side of the RZ. You set the aperture on the lens, which also has a leaf shutter in it supporting full-stop speeds of up to 1/400th of a second. From the right to left: 50mm, 65mm, 75mm, 90mm, 110mm, etc. It’s about seeing your photograph appear on a piece of paper rather than saving a JPEG image on your laptop. To be clear: I don’t like it. There is more on that in part three. The cap is generally provided with the prism, but you have to buy the pouch separately. After any shot, it’s the same process: cock your camera after each shot for the next. And it works like that. It’s recommended to also use a cable release at the shutter release button (one with fix screw). But after nearly 30 years of taking pictures, I’m still preferring the not-so-perfect film results to the anaemic, detatched, hollow, but almost perfect images that come from my dslr. After your first exposure, if you want to make another, you will need to cock the camera first using the big lever on the right of the camera (this is the “cocking lever”). It’s just like that old vinyl LP and valve amp sitting in your grandparents living room. I’ve just purchased my first RZ67 pro ii last night. You guessed right – film. As if captured on a piece of video-enabled Polaroid sheet. It’s a prism finder like the FE701, but let you shoot only in manual. I know your camera! Maybe that is why I still prefer the analogue format. I see them as somewhat pointless. From shutter speed testers to large format cameras, we’ve got you covered. Same as Type A, but with a grid for composition or multi-exposures. This viewfinder is like that of any 35mm SLR, the image is oriented correctly and it’s the same of what your eyes see. Press the shutter release button all the way. The RZ is a reflex camera, which means that there is a mirror inside which allows you to see your composition in the viewfinder. Processed and scanned by me. And, for personal projects and family photos for an actual album made of actual paper, I grew tired of it. And for that, you have to put it warm in a pocket on you … I don’t have one, and I have to say that I have already shot with my RZ at minus 10°C, without problems. This gives it this incredible look, but its the same with all wlf even on the tiny Nikon F3. The Mamya RB67 and RZ67 have been the staple of studio pros for decades. This magnifier has a diopter adjustment ring (-6 to +4), and it’s great if you have like me, some myopia problems. To set the FE701 in automatic mode, you need to set the shutter speed dial (at the left side of the RZ) to “AEF” and the one on the top of the FE701 on “A,” like this: Note: AEL on the prism speed dial is for memorizing the exposure, all others are manual exposures. 2. For those confused about what to choose: an older RB67 or the “newer” RZ67? An important thing to set before shooting in AE mode is the ISO of the film used. Mamiya RZ67 – Type A1 Type A3 Matte Mamiya RZ67 – Type A3. This is because of the weight, shape, and size. If you want to use the mirror lock-up feature, screw in a remote-control wire into the lens. The earliest model was the Professional series; later the Pro S model was released which added a focus lock, a mechanism that prevented multiple exposures, and a portrait indicator in the viewfinder that will show when your RB67 back is in portrait orientation. If you do not know how, it’s explained in the next chapter. This aspect wasn’t featured in the video due to time restraints, but the Polaroid back was essential for portrait photographers to test lighting and exposure before the age of digital. right? And exactly how I saw it. For any other answer, choose the RZ67. It’s a protection to avoid fogging your film. 39" Center Lock Shutter Cable Release for Mamiya 7 7II 67 6x7 II RB67 RZ67. For example, the minimum focusing distance from the front of the 50mm is 45mm. After removing the cable, the plug must be on this position only: Yes, the positions are not logical, because the shutter is on the lens and the mirror on the camera, but it’s what the Mamiya documentation said! Click to expand the annotated pictures below. If the answer is yes, choose the RB67, it doesn’t need any batteries. This camera is positively enormous. Compact, facile à transporter 1210 grs avec son objectif 4/80mm. I received my Mamiya RZ67 Pro II with the classic “kit” focusing screen: the Type A. I’t and all-matte with a fresnel circle in the center. Whatever the reason is, it is extremely difficult to capture someone completely naturally as soon as they notice a digital camera. There were three RZ67 versions made, RZ67 Professional, RZ67 Professional II, and RZ67 Professional IID. When you remove the cable from the lens plug, take care that the tube is totally retracted until you no longer see the red ring. It is the same reason why we love family albums more than Facebook galleries, why we use our father’s old mirror when we shave, rather than a brand new one with an inbuilt wiper. If film is so great, so perfect in its imperfection, why did we all go digital you may ask? Kodak closed several divisions, but there’s one that’s still, believe it or not, working. On the upside, which for me is quite a bit more significant, you can see the accurate depth of field no matter what aperture you’re on. But that’s not at all what I’m interested in. The Mamiya RZ67 Pro IID is the natural evolution of the legendary RZ Pro II, the industry standard used by many of today’s most renowned photographers and artists because of its large 6x7cm ideal format negative size, over four and a half times larger than 35mm. Because of that, you start to see more, differently. This waist viewfinder includes a magnifier. It means “Revolving Back” and was intended to be the successor of the RB series. The distances on the camera go from infinity to 0.9m (3ft). Clear and beautiful, somewhat dreamy as film can be. Try it and I think you will like it. Several RB67-specific accessories can also be used on the newer, electronic body, such as film backs. The camera’s native picture format is 6×7 using 120 or 220 medium format film but it is also able to create 6×6 and 6×4.5 images, as well as use Polaroid, Quadra and other film formats. I found the thread-derailing troll commentary (thanks for nothing Brian) annoying, and reading through others’ posts draw some similar sentiments – that is even though there are many who embrace technology and declare undying love for digital formats, there is simply no substitute for analogue. The premise is simple, you ask the questions and we’ll get the industry to answer. I cannot confirm this. For focusing problems, Mamiya sold separately a magnifier (FD701) that fits the FE701 (& the model 2) prism perfectly. I’m not saying digital has no use. Old film cameras are curious, inconspicuous. You can also find an external battery case from Mamiya with a part that replaces the battery in its compartment on the bottom of the RZ, with a wire and a little box for the same type of battery than the RZ, (4LR44 or 4SR44). Add to this that you shoot in 6×7, and the results are really awesome. A student and a wedding photographer with a passion for cinematography and writing. With a 110mm lens, you have the lightest configuration available with an RZ. All of this seems to be complicated or takes a lot of time to do, but it’s not. If you need better correction (or to help your eyes) you can change the default magnifier with others you can find online. Fine article, sir! There are at least another 30,000 to come as we move to part two and beyond. Another thing: after removing the focusing screen, the mirror in the camera is no longer protected! There is a small split-screen for even more focus aid. But it I feel the harm is that it does ‘dumb-down’ a majority consumer audience, while making it easier to get good results without any thought process being required. That works, I have already shot at 1/30 with this lens with no blur on my image. The new gear was the thrilling, fun part. Mamiya RZ67 6×7 – Camera gear. You may focus by turning a focusing knob on either side of the camera. It may sound a little freakish, but at times, I like to pick it up and stare at just about anything. 800 & 1000 would have been nice to have. So there, another shot – done. If you’re only used to 35mm, the Mamiya RZ67 system will give you a taste of the LF. When I look at them days, sometimes weeks later (after developing and scanning), I am emotionally removed far enough from the experience of taking the photos that I can more objectively judge the quality of the photos; 3) to me, shooting film with un-metered mechanical cameras, manual focus, developing and printing photos on my own is a more holistic approach to photography because I have full control over the entire range of the photographic experience and can change the outcome of my photos at many stages during the process of creating my art. 1. EMULSIVE is bringing the photographic community and industry together, one Community Interview at a time. For this, I use mostly apps on my smartphone. and it sure Beats the sh*t out of current top 40 dubstep canned music…. I cannot fully express how much your thoughts and Images, have stirred the Analogue passions in me. The Mamiya RZ67 is a professional SLR 6x7 medium format camera made by Mamiya. The Mamiya RB67 has 3 different models that are all completely interchangeable. It doesn’t bite. You will also find a separate remote control thread, which is used when in mirror lock-up mode (leaf shutter is built into the lens). Let’s first see how to change the viewfinder: To remove, install or replace the viewfinder (same for all models): You have two blue buttons on each side of the front of all viewfinders, push them simultaneously like shown in this image, following the arrows. A detailed explanation will guide you in the lens chapter. Many thanks for your informative, awesome covering of this classic camera. In addition, the RZ has more accessories. You can set up like me, a laboratory or a dark room to process and print your images yourself. It makes framing while looking through the finder quite a bit more difficult than you might think – I still get confused at times. It’s a therapeutic and deeply rewarding endeavor! The Mamiya RZ67 system offers 8 focus screen and three viewfinder options – all user interchangeable. It was taken by Charles O’Rear and was the emblematic default wallpaper of Microsoft Windows XP. EMULSIVE is a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography. The shutter release button is located at the front of the camera for easy access with your right hand. This viewfinder is manual (no automatic exposure) and it is the lightest of all Mamiya viewfinders. Some reverse the image right to left, and some show you the exact image you see with your eyes. at ~8,000 words, I applaud you for getting this far. It’s fine. Which photographers prefer the Mamiya RZ67? When mounted, it is very well-balanced due to the great weight distribution of that box-shaped body. Because of this, I always uninstall the prism from the camera during transport, or every time I am not using the camera. To turn it and change the value, press the middle button. With all the greatness, speed, quality and versatility of digital photography, it became irreplaceable in our everyday lives and businesses. I’m a new returnee to film and am looking at the RZ67 Pro and thanks to the article and most of the reviews… I think I’ll get one. View all photographs taken by EMULSIVE on 120 format film – 6×6, 6×7, 6×9, 6×12 and 6×17. After checking the depth of field, it is wise to set focusing for lens and distance by rotating the bellows focusing knob (on the camera). I know very little about tripods so am asking for some advice on what to look for and some recommendations. It will also be necessary to set the floating lens elements (if you use a lens with floating elements) depending on the lens you are using. It’s practical, economical and simple to drive. Thoroughly impressed with the quality (and the mass!). Shutter speed is set on the body using a dedicated dial. Embracing quality of aesthetics rather than the quality of pixels. These indications follow the measurement made by the included light cell, depending on your choice of type (Spot or Average). When used vertically, it’s just narrow enough to notice and give a pleasing portrait, but also wide enough at the sides not to lose too much of the environment. on a light table with your loupe. While you can use the RZ67 for almost anything but street and action photography, it is the particular favorite of portrait photographers. It’s also interesting in case of long exposures. View all photographs taken by EMULSIVE on 35mm format film. For the 50mm it’s 1/60s. Note: you can use a magnifying lens to help. I now shoot exclusively black & white film (with two M4s and one RZ67) and made that choice for a number of reasons: 1) aesthetics — b&w film has a distinct look that I absolutely love; 2) slowness — in this day & age of instant gratification where every gadget in your life has a microchip and we are all addicted to staring at screens from the minute we get up until we go back to bed, I find it absolutely refreshing to work with purely mechanical devices. It has the fine focusing knob and 0.5-stop steps for shutter speeds for only a fraction of more money than the first generation Pro. You should make tests. The lock setting physically stops the shutter from being triggered. The RZ67 shares some same features as its predecessor (the RB67), but in many ways RZ67 is a complete upgrade. It also doesn’t make as much noise. Once I got the hang of it, I just kept walking around and focusing at different things all day. It is NOT just your captures, but the Message found in Your PROCESS. Above the prism, on the left side, you have the compensating dial you can set from +3EV to -3EV. (like how to use a light meter 101, or depth of field focusing – or hang on a minute… manual focusing? The image above shows you what you actually see in the viewfinder when you work with the FE701 prism. This is partly why such classic-looking cameras as Fujifilm X-Pro1, X-E1 and Olympus OM-D E-M5 work so well for wedding and street photographers. As the RB was still a very strong seller at the time of the RZ’s release, they invented the name RZ to help differentiate between the two. Naturally, two decades in decently warm temperatures had to have an effect, and as I expected, film was heavily covered in mold. With a central split-image rangefinder that helps with focusing. However, nothing ever feels flimsy and the camera seems to shrug off any light abuse I throw at it with reasonable ease. If you fall into the dark gray zone, you have to add +1 stop of compensation. This is a little trickier and requires a bit more planning, a bit more quickness to it. I have owned an RB67 since it was new and an RZ67 for about a decade yet you revealed new information to me. As a former chemist, and currently working in the hydrographic field and topography, I’m not a professional photographer but I have some experience with the RZ67 which I feel could be valuable for other film shooters like me. The final part will be covering my personal story with the RZ67 system – more “years in the life…” than “a day in the life…” This part is especially important to me, as I believe in having a strong bond with my photographic tools is an important factor in the photography I produce. In 1982, Mamiya released the RZ67, a lighter, leaner, more advanced version of the RB. It is much bigger than my D700, which feels like a point-and-shoot next to it. Three of these rolls I’ve already developed myself – rolls of film that are about 20 years past their expiration date and were kept in room temperatures (about 20 degrees Celsius), it’s an old soviet black & white Svema 125. My father had the same one! No lit LEDs in the viewfinder? I normally use my RZ67 to take portraits but I also bring it with me for shooting landscapes. B & W is PRIMAL … In an Ocean of COLOR, ~ONE~ B&W will be ALL that is Remembered. Mamiya RZ67 Pro is also much heavier than the Nikon D700, weighing about two-and-a-half kilograms with the 110mm f/2.8 Sekor lens mounted. I started laughing – there is a much larger Genre of awareness re. excellence guaranteed…. To learn more, please read the chapter “Mamiya RZ67 viewfinders“. Remember Kodak? Mamiya RZ67 Pro II with a film back and wastelevel finder 110 mm f2.8 90mm 180mm an Epson V700 scanner with a better scanning tranny for MF. And, as always ~ My Best to Nasim . Hasselblad vs Mamiya RZ67 – Portraits. Looks, too. RZ Winder : No: Yes: No: No: No: Earlier Model - Not compatible with RZ II: Magazines & Backs : RZ II Magazines: Yes : Yes* No: No: No *RZ II Inserts cannot be used in RZ67 Magazines: RZ67 Magazines: Yes* Yes: No: No: No *RZ67 Inserts cannot be used in RZ II Magazines: RB SD Magazines: Yes* Yes* Yes: Yes: Yes Simply put, I’ve made somewhat over 100 photographs with it, which equals 12 or so film rolls (10 shots each). How-to: Upgrade your Rolleiflex with a digital light meter, Find your perfect Leica or M-mount film camera with the help of this interactive tool & reference data, 65 photographic projects you can do when you’re stuck at home, Color drama: Negative Lab Pro v2… Finding the right workflow for scanning color film at home, How to make a TEXPan: shoot wide-format 35mm film in the Fuji GW690III rangefinder. As you focus closer, the bellows extend. The shutter release button is (as expected) on the front of the camera: The shutter button has three positions: lock, shoot and mechanical operation mode.